THE QUESTION OF THE AFFIRMATION OF EXISTENCE IN FRIEDRICH NIETZSCHE'S THE BIRTH OF TRAGEDY

被引：0

作者：

Pereira, Camilo Lelis Jota ^{[1
]}

机构：

[1] Univ Fed Alfenas UNIFAL, Inst Ciencias Humanas & Letras ICHL, Alfenas, Brazil

来源：

AUFKLARUNG-REVISTA DE FILOSOFIA | 2024年 / 11卷 / 02期

关键词：

Nietzsche; Aesthetics; Apollonian; Dionysian; Art; Affirmation of existence;

D O I：

10.18012/arf.v11i2.68762

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

This artic explores Nietzsche's concepts regarding the formation of art, as presented in "The Birth of Tragedy," investigating the duality between the Apollonian and Dionysian artistic impulses. The central focus lies in the aesthetic justification of existence through art, whether through the form provided by the Apollonian or through the duality between the Apollonian and Dionysian in tragic art, as a fundamental interplay of human experience. We will argue about the tension between universal unity and individuality, which the philosopher presents as the core of the aesthetic effect of tragedy, contributing to the affirmation of life and the attainment of freedom.

引用

页码：33 / 48

页数：16

共 6 条

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[2]

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[3]

NIETZSCHE Friedrich., 1992, O Nascimento da Tragedia ou helenismo e pessimismo

[4]

Reginster B., 2006, The affirmation of life: Nietzsche on overcoming nihilism

[5]

REIBNITZ Barbara von, 1992, Die Geburt der Tragodie aus dem Geiste der Musik

[6]

Schopenhauer A., 2005, O mundo como Vontade e como Representacao

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