Digital twin-based alternate ego modeling and simulation: Eva Herzigová as a 3D MetaHuman avatar

被引：0
作者：
Lăzăroiu, George [1 ,2 ,3 ,4 ]
Gedeon, Tom [1 ]
Szpilko, Danuta [5 ]
Halicka, Katarzyna [5 ]
机构：
[1] Curtin University, Kent Street, Bentley, 6102, WA
[2] Toronto Metropolitan University, 350 Victoria Str., Toronto, M5B 2K3, ON
[3] Cardiff Metropolitan University, Llandaff Campus, Western Avenue, Cardiff
[4] Spiru Haret University, 13 Ion Ghica Str., District 3, Bucharest
[5] Bialystok University of Technology, Wiejska 45A, Bialystok
来源：
Engineering Management in Production and Services | 2024年 / 16卷 / 03期
关键词：
AI; artificial intelligence; digital twin; Eva Herzigová; hyperrealistic 3D digital human twin; MetaHuman avatar appearance and persona; motion capture technologies;
D O I：
10.2478/emj-2024-0020
中图分类号：
学科分类号：
摘要：
Due to Dimension Studios and Unsigned Group, by likeness and movement digitization, the human supermodel Eva Herzigová’s highly realistic metahuman and 3D digital twin lead to perpetual career extension (e.g., on virtual runway shows by catwalk replication or in advertising campaigns by particular pose adoption), including in virtual worlds such as metaverse spaces, by use of extended reality technologies, in terms of virtual clothing, digital hair, skin texture, facial and body expressions, and makeup styling as avatar appearance and persona. In this paper, we show how, by likeness capturing (e.g., signature walk by motion capture shoot for face and body movement tracking) and virtual clothing, Eva Herzigová’s hyperreal 3D avatar (lifelike 3D digital human clone or realistic virtual human) is configured with subsequent restyled hair and make-up, 3D clothing modeling, and extended reality fashion shows on virtual catwalks or campaign shoots. We clarify that photographic reference materials and a sensor-based motion capture suit assisted Metahuman Creator in capturing facial and motion data for Eva Herzigová’s digital avatar, configuring realistic depiction and virtual activations of beauty standards, in addition to digital likeness, signature style, talent representation, and narrations, typifying digital human creation and presence in virtual worlds (e.g., for metaverse-based shoots). We conclude that Eva Herzigová’s hyperrealistic 3D digital human twin and MetaHuman avatar operate as a styled virtual alter ego and versatile personal brand extension by motion capture technologies for immersive virtual fashion shows, live video streams and broadcast, and digital wearable modeling. © 2024 G. Lăzăroiu et al.
引用
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页码：1 / 14
页数：13
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