Generic passive-guaranteed nonlinear interaction model and structure-preserving spatial discretization procedure with applications in musical acoustics
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作者:
Falaize, Antoine
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机构:
La Rochelle Univ, Lab Sci Ingn Environm, UMR 7356, CNRS, Ave Michel Crepeau, F-17042 La Rochelle 1, FranceLa Rochelle Univ, Lab Sci Ingn Environm, UMR 7356, CNRS, Ave Michel Crepeau, F-17042 La Rochelle 1, France
Falaize, Antoine
[1
]
Roze, David
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h-index: 0
机构:
Sorbonne Univ, Lab Sci & Technol Mus & Son, UMR 9912, CNRS,Ircam, 1 Pl Igor Stravinsky, F-75004 Paris, FranceLa Rochelle Univ, Lab Sci Ingn Environm, UMR 7356, CNRS, Ave Michel Crepeau, F-17042 La Rochelle 1, France
Roze, David
[2
]
机构:
[1] La Rochelle Univ, Lab Sci Ingn Environm, UMR 7356, CNRS, Ave Michel Crepeau, F-17042 La Rochelle 1, France
[2] Sorbonne Univ, Lab Sci & Technol Mus & Son, UMR 9912, CNRS,Ircam, 1 Pl Igor Stravinsky, F-75004 Paris, France
Port Hamiltonian system;
Order reduction;
Friction;
Collision;
HAMILTONIAN-FORMULATION;
FINITE-ELEMENT;
PIANO HAMMERS;
SIMULATION;
SYSTEMS;
COLLISIONS;
STABILITY;
DYNAMICS;
SCHEMES;
D O I:
10.1007/s11071-024-10438-9
中图分类号:
TH [机械、仪表工业];
学科分类号:
0802 ;
摘要:
In musical acoustics, the production of sound is usually described by the nonlinear interaction of the musician with a resonator (the instrument). For example a string (resonator) can be bowed or hit by a piano hammer (nonlinear interactions). The aim of this paper is to provide a stable (passive-guaranteed) simulation of such interaction systems. Our approach consists in first defining a generic passive-guaranteed structure for the interaction (finite dimensional) and for the resonator (infinite dimensional) and second constructing a generic procedure for the discretization of the resonator. This is achieved in the Port-Hamiltonian systems framework that decomposes a physical model into a network of energy-storing components, dissipative components and inputs-outputs, thus guaranteeing the passivity of the proposed models. Finally, a well established structure preserving time discretization method is used to provide numerical models which prove to fulfill a discrete power balance, hence the numerical stability. This generic procedure is applied to the sound synthesis of a bowed string and of a string hit by a piano hammer.