Comprehensive material painting feature recognition based on spatial model

被引:0
|
作者
Zhao, Jing [1 ]
Liu, Aiqin [2 ]
机构
[1] Shangqiu Normal Univ, Coll Mus, Shangqiu 476000, Peoples R China
[2] Shanxi Econ & Management Cadre Coll, Dept Art & Design, Taiyuan 030000, Peoples R China
来源
SYSTEMS AND SOFT COMPUTING | 2025年 / 7卷
关键词
Spatial model; Comprehensive materials; Painting; Feature extraction;
D O I
10.1016/j.sasc.2024.200181
中图分类号
TP18 [人工智能理论];
学科分类号
081104 ; 0812 ; 0835 ; 1405 ;
摘要
Comprehensive material painting is an art form that uses multiple materials and techniques for creation. It combines traditional painting media with non-traditional materials, and this art form has become increasingly common in the field of contemporary art. However, due to the diversity and complexity of comprehensive material painting, traditional visual feature extraction methods are difficult to accurately identify and classify it. To address the above issues, a discriminative color space model is used to operate on the red green blue space, followed by standard processing, and finally Gabor wavelet analysis is performed on each subspace of the red green blue. The experimental results indicated that the model performed well in identification accuracy, recall, and F1 scores. Specifically, the identification accuracy of CMP-FEM reached 95.6 %, which was significantly higher than other contrast models such as IFE-MPA (85.00 %) and CR-GWFE (87.50 %). In addition, the application of the model in the field of painting restoration also showed its strong guiding ability, and the quality of the restored image was significantly improved. According to the comprehensive expert evaluation, the accuracy of the information identification was as high as 95.8 points, and the average F1 score of the repair guidance was 92.7 points, which further confirmed the practicality and accuracy of the model. These results demonstrate the superiority of the comprehensive material painting feature recognition model and provide an effective solution for the identification problem of painting authors.
引用
收藏
页数:11
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