Beginnings and endings—dance phrase edges in an interactive dance study

被引:0
作者
Bergsland A. [1 ]
机构
[1] Department of Music, NTNU, Olavskvartalet, Trondheim
关键词
Interactive dance; Interactive sonification; Motion tracking; Movement-sound mappings;
D O I
10.1007/s00779-024-01817-5
中图分类号
学科分类号
摘要
This article describes a study exploring the expressive and creative potential of dance phrase onsets and endings in interactive dance, using an artistic research approach. After describing the context and background of interactive dance and relevant perceptual issues, the technical setup is presented, both in terms of the performance area, sensors and other hardware, and software. The main part of the article is concerned with the specific movement-sound mappings and their relation to the dancer’s movement choices in four different sections in the performance that the project resulted in, entitled Beginnings and Endings - Study I. Subsequently, the process and performance are evaluated, specifically focusing on the performer’s perspective. The most interesting points from the evaluation are then discussed with reference to the presented mappings, related movement choices, and relevant research literature. Findings include that the dancer experienced an increased awareness of beginnings and endings in different sections of the performance, that the affordances of different mappings were explored in different ways and to different degrees, and that some of this could be ascribed to a dynamic between liberation and restriction. © The Author(s) 2024.
引用
收藏
页码:801 / 821
页数:20
相关论文
共 82 条
[1]  
Takayama L., The motivations of ubiquitous computing: revisiting the ideas behind and beyond the prototypes, Pers Ubiquit Comput, 21, 3, pp. 557-569, (2017)
[2]  
Millard M.O., Soylu F., An embodied approach for engaged interaction in ubiquitous computing, Human-Computer Interaction. Ambient, Ubiquitous and Intelligent Interaction: 13Th International Conference, HCI International 2009, 13, pp. 464-472, (2009)
[3]  
Zhou Q., Chua C.C., Knibbe J., Goncalves J., Velloso E., Dance and choreography in hci: A two-decade retrospective, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, pp. 1-14, (2021)
[4]  
Almqvist Gref A., Elblaus L., Falkenberg Hansen K., Sonification as catalyst in training manual wheelchair operation for sports and everyday life, Proceedings of Sound and Music Computing Conference, pp. 9-14, (2016)
[5]  
Andersson A.-P., Cappelen B., Musical interaction for health improvement, The Oxford Handbook of Interactive Audio, pp. 247-262, (2014)
[6]  
Dubus G., Evaluation of four models for the sonification of elite rowing, J Multimodal User Interfaces, 5, 3, pp. 143-156, (2012)
[7]  
Agres K.R., Schaefer R.S., Volk A., Hooren S., Holzapfel A., Dalla Bella S., Muller M., Witte M., Herremans D., Ramirez Melendez R., Neerincx M., Ruiz S., Meredith D., Dimitriadis T., Magee W.L., Music, computing, and health: A roadmap for the current and future roles of music technology for health care and well-being, Music Sci, 4, (2021)
[8]  
Siegel W., Dancing the music: Interactive dance and music., pp. 191-213, (2009)
[9]  
Bergsland A., Dance phrase onsets and endings in an interactive dance study, In: Proceedings of the International Conference on Audio Mostly., (2022)
[10]  
Bergsland A., Designing interactive sonifications for the exploration of dance phrase edges., pp. 176-183, (2022)