Time to compile: A performance installation as human-robot interaction study examining self-evaluation and perceived control

被引：9
作者：
Cuan C. [1 ,2 ]
Berl E. [2 ]
Laviers A. [2 ]
机构：
[1] Department of Mechanical Science and Engineering, University of Illinois at Urbana-Champaign, Urbana, IL
[2] Department of Mechanical Engineering, Stanford University, Stanford, CA
来源：
Paladyn | 2019年 / 10卷 / 01期
关键词：
embodied learning; human robot interaction; robot performance; virtual reality;
D O I：
10.1515/pjbr-2019-0024
中图分类号：
学科分类号：
摘要：
Embodied art installations embed interactive elements within theatrical contexts and allow participating audience members to experience art in an active, kinesthetic manner. These experiences can exemplify, probe, or question how humans think about objects, each other, and themselves. This paper presents work using installations to explore human perceptions of robot and human capabilities. The paper documents an installation, developed over several months and activated at distinct venues, where user studies were conducted in parallel to a robotic art installation. A set of best practices for successful collection of data over the course of these trials is developed. Results of the studies are presented, giving insight into human opinions of a variety of natural and artificial systems. In particular, after experiencing the art installation, participants were more likely to attribute action of distinct system elements to non-human entities. Post treatment survey responses revealed a direct relationship between predicted difficulty and perceived success. Qualitative responses give insight into viewers' experiences watching human performers alongside technologies. This work lays a framework for measuring human perceptions of humanoid systems - and factors that influence the perception of whether a natural or artificial agent is controlling a given movement behavior - inside robotic art installations. © 2019 Catie Cuan et al., published by De Gruyter 2019.
引用
收藏
页码：267 / 285
页数：18
相关论文
共 64 条
  • [1] Anstey F., Vice Versa Or, A Lesson to Fathers, Smith, Elder, (1882)
  • [2] Tucker N., Vice versa: The first subversive novel for children, Children's Literature in Education, 18, 3, pp. 39-147, (1987)
  • [3] (2016)
  • [4] Television N.N., Nielsen estimates 119.6 million tv homes, Nielsen Insights, (2017)
  • [5] Center P.R., Mobile Fact Sheet, (2018)
  • [6] Steinfeld A., Et al., Common metrics for human-robot interaction, Proceedings of the 1st ACM SIGCHI/SIGART Conference on Human-Robot Interaction, ACM, pp. 33-40, (2006)
  • [7] Bartneck C., Kuli D., Croft E., Zoghbi S., Measurement instruments for the anthropomorphism animacy, likeability, perceived intelligence, and perceived safety of robots, International Journal of Social Robotics, 1, 1, pp. 71-81, (2009)
  • [8] Reeves B., Nass C.I., The Media Equation: How People Treat Computers Television, and New Media like Real People and Places, (1996)
  • [9] Nass C., Moon Y., Green N., Are machines gender neutral Gender-stereotypic responses to computerswith voices, Journal of Applied Social Psychology, 27, 10, pp. 864-876, (1997)
  • [10] Eyssel F., Kuchenbrandt D., Social categorization of social robots: Anthropomorphism as a function of robot group membership, British Journal of Social Psychology, 51, 4, pp. 724-731, (2012)
1234567