CULTURAL CODE IN THE SPACE OF MODERN MAN, RUSSIAN STYLE - ORIGINS OF DESIGN

被引:0
作者
Gerasimova, Maria P. [1 ]
Alibekova, Mariyat I. [2 ]
Belgorodsky, Valery S. [1 ]
机构
[1] AN Kosygin Russian State Univ, Technol Design Art, Malaya Kaluzhskaya St 1, Moscow 119071, Russia
[2] AN Kosygin Russian State Univ, Technol Design Art, Dept Special Composit & Art Grap, Malaya Kaluzhskaya St 1, Moscow 119071, Russia
来源
VESTNIK SLAVIANSKIKH KULTUR-BULLETIN OF SLAVIC CULTURES-SCIENTIFIC AND INFORMATIONAL JOURNAL | 2024年 / 72卷
关键词
Russian Art; Cultural Code; Folklore; Traditions; Modernity; Cut; Ornament; Embroidery; Arts and Crafts; Paintings; Design;
D O I
10.37816/2073-9567-2024-72-254-268
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
The study examines areas of modern design in which the traditions of Russian art are preserved - folk or national clothing, artistic crafts and analyzes ways of rethinking, transforming or using unchanged cut, ornament, painting, texture, related to the authentic characteristics and recognition of the Slavic or Russian style. The study relates to ways of preserving Russian traditions - in fashion, historical reconstruction, costume festivals and folklore groups. The paper provides links to the works of F.M. Parmon and showcases models of a collection of costumes from fashion shows and stage images by V.M. Zaitsev for folklore groups. The research highlights the works of some Russian and foreign clothing designers, inspired by examples of Russian art. The authors display examples of the use of paintings and decorative art in modern designer accessories, jewelry and household items and analyses the features of the approach to preserving historical samples - reconstruction, exact copying, repetition with minor differences or stylization as an authentic sample. The paper has studied approaches to the creation of modern accessories, involving the production of modern versions of original headdresses while maintaining the technological approach to manufacturing, yet with a slight variable change in shape and design. The study issued in thorough consideration of almost all existing options for the presence of Russian art in an unchanged or transformed form in the space of modern man.
引用
收藏
页码:254 / 268
页数:15
相关论文
共 6 条
  • [1] Alibekova M.I., Izvestiia vysshikh uchebnykh
  • [2] Efimova L.V., 1998, Russkii narodnyi kostium Russian Folk Costume
  • [3] Parmon F.M., 2022, Russian Folk Costume as an Artistic and Design Source of Creativity. Monograph, V4th
  • [4] Parmon F.M., 1997, Kompozitsiia kostiuma, Odezhda, obuv', aksessuary: uchebnik dlia vuzov Costume Composition, Clothes, Shoes, Accessories: Textbook for Universities
  • [5] Zaitsev V.M. Moda, 2017, Fashion. My House
  • [6] Zhabreva A.E., 2016, Written and Pictorial Sources on the History of Russian Costume of the 11-17 Centuries