Reading menageries: using eighteenth-century print sources to historicise the sensorium of menagerie spectators and their encounters with exotic animals

Histories of exotic animal collection and display in Britain during the long eighteenth century have not been conventionally concerned with the sensory or bodily experiences of menagerie spectators. Olfactory, haptic and aural impressions - as well as the affective responses of laughter, disgust, anger and sympathy, are conspicuously absent in attempts to historicise animal collections. This paper principally argues that these often historically intangible and transient sensory experiences with animals were culturally significant acts or readings that produced meaning. To understand how spectators utilised their senses as an interpretive tool in reading menageries the article draws upon eighteenth-century understandings of the senses and bodily comfort. The manipulation of exotic animal bodies in menageries during the long eighteenth century had significant implications for British spectators. It is argued that their specific notions of Britishness in relationship to these captive animals from foreign climes articulated elite cultural notions of gender, climate and national character. In writing a sensory history of exotic animals in eighteenth- and early nineteenth-century Britain the author contextualises the reading of contemporary print material with the concomitant experience of the material animals to which this print matter referred. What emerges is a reminder that the act of reading should not be isolated from the production of knowledge through other embodied experiences since such a dichotomy is arguably problematic for historians.