Investigating the Relationship between Balanced Composition and Aesthetic Judgment through Computational Aesthetics and Neuroaesthetic Approaches

被引:0
作者
Lin, Fangfu [1 ]
Song, Wu [1 ]
Li, Yan [1 ]
Xu, Wanni [2 ]
机构
[1] Huaqiao Univ, Coll Mech Engn & Automat, Xiamen 361021, Peoples R China
[2] Fuzhou Univ, Xiamen Acad Arts & Design, Xiamen 361021, Peoples R China
来源
SYMMETRY-BASEL | 2024年 / 16卷 / 09期
关键词
balance composition; aesthetic; neuroaesthetics; computational aesthetics; EEG; ERPs; SVM; ELECTROPHYSIOLOGICAL INDEXES; SYMMETRY; ART; PERCEPTION; APPRECIATION; NEUROSCIENCE; PRINCIPLE; RESPONSES; IMAGES; BEAUTY;
D O I
10.3390/sym16091191
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
Background: Symmetry is a special kind of balance. This study aims to systematically explore and apply the role of balanced composition in aesthetic judgments by focusing on balanced composition features and employing research methods from computational aesthetics and neuroaesthetics. Methods: First, experimental materials were classified by quantifying balanced composition using several indices, including symmetry, center of gravity, and negative space. An EEG experiment was conducted with 18 participants, who were asked to respond dichotomously to the same stimuli under different judgment tasks (balance and aesthetics), with both behavioral and EEG data being recorded and analyzed. Subsequently, participants' data were combined with balanced composition indices to construct and analyze various SVM classification models. Results: Participants largely used balanced composition as a criterion for aesthetic evaluation. ERP data indicated that from 300-500 ms post-stimulus, brain activation was more significant in the aesthetic task, with unbeautiful and imbalanced stimuli eliciting larger frontal negative waves and occipital positive waves. From 600-1000 ms, beautiful stimuli caused smaller negative waves in the PZ channel. The results of the SVM models indicated that the model incorporating aesthetic subject data (ACC = 0.9989) outperforms the model using only balanced composition parameters of the aesthetic object (ACC = 0.7074). Conclusions: Balanced composition is a crucial indicator in aesthetics, with similar early processing stages in both balance and aesthetic judgments. Multi-modal data models validated the advantage of including human factors in aesthetic evaluation systems. This interdisciplinary approach not only enhances our understanding of the cognitive and emotional processes involved in aesthetic judgments but also enables the construction of more reasonable machine learning models to simulate and predict human aesthetic preferences.
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页数:19
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