"I Had My Hair Cut Today to Share #Women_Short Cut_Campaign": Feminist Selfies Protesting Misogyny

被引:1
作者
Lee, Sunah [1 ]
机构
[1] Florida State Univ, Sch Commun, Tallahassee, FL USA
来源
SOCIAL MEDIA + SOCIETY | 2024年 / 10卷 / 03期
关键词
hashtag feminism; selfie activism; affective politics; misogyny in South Korea; media solidarities; DIGITAL ACTIVISM; PROMISE; TWITTER; MOTHER; BODY;
D O I
10.1177/20563051241274667
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
This study examines the #Women_Short Cut_Campaign movement, a feminist hashtag activism that began on Twitter (rebranded as X in 2023) in 2021. The movement was to defend a South Korean female archer and Olympic gold medalist, An San, from misogynistic attacks that accused her of being a man-hating feminist, given her short hairstyle. Informed by theories about social media's affordances and affective politics, this article unpacks how women harness social media affordances to combat sexist oppression, particularly in the sociocultural context where women's hair is fraught with gendered stereotypes and women's bodies are historically deprived of agency under Neo-Confucian influence. The qualitative textual analysis of 1,849 tweets mostly written in Korean, with a focus on 811 selfies and images, suggests that #Women_Short Cut_Campaign functions as networked, affective counterpublics where oppressed women construct counter-narratives against the attempts to control women's bodies. The hashtag also challenges the binary of online or offline and stretches the traditional notion of participation by urging digitally networked participants to take action offline. Participants practiced media solidarities by encouraging each other to protect themselves from potential sexual violence. In doing so, they realized affordances for practice through optimizing and contextualizing the original use of technologies. This research contributes to discussions on the sustainability of digital activism and the need for the pluralization and diversification of contemporary feminism. It also offers an opportunity to address the call for decolonial approaches in mobilizing Western-originated theories. Finally, it invites scholars to focus more on the visual in interrogating digital feminist activism.
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页数:12
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