Addressing Constraints Creatively: How New Design Software Helps Solve the Dilemma of Originality and Feasibility

被引:14
|
作者
Arrighi, Pierre-Antoine [1 ]
Le Masson, Pascal [2 ,3 ,4 ]
Weil, Benoit [4 ,5 ,6 ,7 ]
机构
[1] MINES ParisTech, Paris, France
[2] MINES ParisTech, Design Innovat & Management, Paris, France
[3] Chair Design Theory & Methods Innovat, Paris, France
[4] MINES ParisTech, Engn Design & Management Curricula, Paris, France
[5] MINES ParisTech, Design Project & Management, Paris, France
[6] MINES Paris Tech, Chair Theory & Methods Innovat Design, Paris, France
[7] MINES ParisTech, Ctr Management Sci, Paris, France
关键词
PRODUCT DEVELOPMENT; BOUNDARIES; KNOWLEDGE; ISSUES;
D O I
10.1111/caim.12082
中图分类号
C93 [管理学];
学科分类号
12 ; 1201 ; 1202 ; 120202 ;
摘要
Are designers doomed to sacrifice creativity when integrating new product development processes? Although many studies highlight the need to produce original and innovative designs, maintaining creativity in the design process continues to be difficult due to industrial constraints. Thus, creativity is restricted to phases in the fuzzy front end' to avoid those constraints that might effectively kill it. However, constraints are also acknowledged as a resource for creativity, as has previously been shown with artists and engineers. Thus, we pose the following research question: In which cases can a constraint be a resource for creativity? To answer this question, we investigate different types of computer-aided design (CAD) software. Relying on an experimental method, we compare the performance of those types of software at the so-called design gap where design sketches are transformed into digital models. We show that some CAD software enables designers to work under additional constraints, be more creative and avoid the trade-off between robustness and creativity, and that understanding this performance means appreciating that such software enables designers to play with the embedded constraints to reveal associated fixations and to design models that follow the constraint but overcome the fixation. Constraints and creativity are linked by two competing processes: constraints decrease the degree of freedom and, as a result, creative possibilities, but embedding constraints increases the awareness of fixations and therefore the capacity to design original models. Today, new CAD tools more effectively support the second process, which leads to acquired originality' in design.
引用
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页码:247 / 260
页数:14
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