PHILOSOPHY OF POSTMODERNISM IN MUSICAL CULTURE

被引:0
作者
Kozyrev, Andrey O. [1 ,2 ]
机构
[1] Dmitry Hvorostovsky Siberian State Inst Arts, Krasnoyarsk, Russia
[2] Vaganova Acad Russian Ballet, St Petersburg, Russia
来源
VESTNIK TOMSKOGO GOSUDARSTVENNOGO UNIVERSITETA-KULTUROLOGIYA I ISKUSSTVOVEDENIE-TOMSK STATE UNIVERSITY JOURNAL OF CULTURAL STUDIES AND ART HISTORY | 2024年 / 54卷
关键词
postmodernism; minimalism; simulacrum; philosophy; modernism;
D O I
10.17223/22220836/54/11
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
This article analyzes the problems of the philosophy of postmodernism, which influenced the musical culture of the XX century. Postmodernism is seen as a modern worldview - a kind of protest against reality and at the same time a kind of summing up and rethinking. The musical culture of the last third of the XX century is a complex phenomenon, characterized by diversity, infinite variability, eclecticism. The emergence of new forms, genres, styles, trends in music indicates new turns in musical thinking, generating other semantic layers in the art of this period, designated by researchers as postmodernism. The relevance of the study of musical postmodernism is determined by the current position of musical art in the modern cultural space, influenced by postmodernism in science and art. It is important to note that at this stage of the development of musicology, postmodernism is in the phase of study, whereas in philosophical and aesthetic teachings, a number of different studies are devoted to the direction of postmodernism.
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页数:294
相关论文
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