A Personal Reminiscence on the Roots of Computer Network Music

被引:1
作者
Gresham-Lancaster, Scot [1 ]
机构
[1] Univ Texas Dallas, ATEC Sch Arts Technol & Emerging Commun, AT 10,800 West Campbell Rd, Richardson, TX 75080 USA
关键词
D O I
10.1162/LMJ_a_01022
中图分类号
J6 [音乐];
学科分类号
摘要
This historical reminiscence details the evolution of a type of electronic music called computer network music. Early computer network music had a heterogeneous quality, with independent composers forming a collective; over time, it has transitioned into the more autonomous form of university-centered laptop orchestra. This transition points to a fundamental shift in the cultural contexts in which this artistic practice was and is embedded: The early work derived from the post-hippie, neo-punk anarchism of cooperatives whose members dreamed that machines would enable a kind of utopia. The latter is a direct outgrowth of the potential inherent in what networks actually are and of a sense of social cohesion based on uniformity and standardization. The discovery that this style of computer music-making can be effectively used as a curricular tool has also deeply affected the evolution and approaches of many in the field.
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收藏
页码:71 / 77
页数:7
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