Epistemology and autonomy in Hanslick's concept of musical ideas.

被引：1

作者：

Nachmanowicz, Ricardo Miranda ^{[1
]}

机构：

[1] Univ Fed Ouro Preto UFOP, Ouro Preto, MG, Brazil

来源：

TRANS-FORM-ACAO | 2024年 / 47卷 / 02期

关键词：

Musical Autonomy; Epistemology; Musical Idea; Eduard Hanslick; Immanuel Kant;

D O I：

10.1590/0101-3173.2024.v47.n3.e02400166

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

The present work addresses the aesthetic philosophy of Eduard Hanslick in order to demarcate it as an epistemological approach to music and a paradigmatic case for musical autonomy. The epistemological assumptions that guided the work On the Musically Beautiful and its most likely influences were analyzed. We conclude by of autonomous musical perception. We add to this conclusion a disambiguation with Kant > s concept of aesthetic idea.

引用

页数：21

共 4 条

[1] The Cartesian Circle and Significance of the Concept of God in Descartes's Epistemology
Atakul, Nur Betul
CUMHURIYET ILAHIYAT DERGISI-CUMHURIYET THEOLOGY JOURNAL, 2022, 26 (03): : 1215 - 1233
[2] Ontology and epistemology of Cassell's suffering concept: a contribution to Social Sciences studies on the subject
dos Santos, Milton
DIALOGO, 2022, (50):
[3] J. von Uexkull's Concept of Umwelt and its Significance for the Modern Epistemology
Knyazeva, Helena
VOPROSY FILOSOFII, 2015, (05) : 30 - 44
[4] Understanding of the information concept: translating expert registration based on Bruno Latour's political epistemology
da Silva, Zayr Claudio Gomes
Oliveira, Marlene
ENCONTROS BIBLI-REVISTA ELETRONICA DE BIBLIOTECONOMIA E CIENCIA DA INFORMACAO, 2023, 28

← 1 →