Research on the Aesthetic Connotation of New Media Ink Painting Art Based on Grounded Theory

The combination of traditional Chinese ink art and new media technology has produced art with contemporary aesthetic value. In the collision of tradition and modernity, a brand-new aesthetic form is gradually emerging. Based on the traditional aesthetics of Oriental ink painting and nourished by modern new technology and craft aesthetics, it has developed rapidly. The new art form is currently in a transition period from the embryonic stage to the development stage, with various forms of works appearing rapidly and in large numbers, and relatively stable and unique aesthetic styles gradually emerging. However, with the rapid upgrading and iteration of technology, the aesthetic style of artistic works also appears the phenomenon of rapid iteration. How to remove the dross and take the essence in iteration after iteration? We use the rooted theory to study the aesthetic connotation of new media ink art. The aesthetic connotation is studied and summarized to form a theoretical framework of the aesthetic connotation of new media ink painting art, which can be used to guide the benign development of new media ink painting art under subsequent technological iterations, inject the vitality of the new media digital era into the traditional Chinese classic aesthetic forms and thoughts, and consolidate the excellent inheritance of traditional aesthetic thoughts. This paper summarizes the theoretical model of the aesthetic connotation of new media ink painting art, which is divided into four levels from shallow to deep, namely, impression beauty, feeling beauty, human-computer interaction beauty and emotional reflection beauty.