Reflection Across AI-based Music Composition

被引:1
|
作者
Ford, Corey [1 ]
Noel-Hirst, Ashley [1 ]
Cardinale, Sara [1 ]
Loth, Jackson [1 ]
Sarmento, Pedro [1 ]
Wilson, Elizabeth [1 ]
Wolstanholme, Lewis [1 ]
Worrall, Kyle [2 ]
Bryan-Kinns, Nick [3 ]
机构
[1] Queen Mary Univ London, London, England
[2] Univ York, York, N Yorkshire, England
[3] Univ Arts London, London, England
基金
英国工程与自然科学研究理事会;
关键词
reflection; first-person; creativity; music; music composition; artificial intelligence; AI; generative AI; music generation;
D O I
10.1145/3635636.3656185
中图分类号
J [艺术];
学科分类号
13 ; 1301 ;
摘要
Reflection is fundamental to creative practice. However, the plurality of ways in which people reflect when using AI Generated Content (AIGC) is underexplored. This paper takes AI-based music composition as a case study to explore how artist-researcher composers reflected when integrating AIGC into their music composition process. The AI tools explored range from Markov Chains for music generation to Variational Auto-Encoders for modifying timbre. We used a novel method where our composers would pause and reflect back on screenshots of their composing after every hour, using this documentation to write first-person accounts showcasing their subjective viewpoints on their experience. We triangulate the first-person accounts with interviews and questionnaire measures to contribute descriptions on how the composers reflected. For example, we found that many composers reflect on future directions in which to take their music whilst curating AIGC. Our findings contribute to supporting future explorations on reflection in creative HCI contexts.
引用
收藏
页码:398 / 412
页数:15
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