AVANT-GARDE TECHNIQUES IN ILYA ZDANEVICH'S NOVELS PARIZHACHI AND VOSKHISCHENIE

This article analyzes the avant-garde techniques used by Ilya Zdanevich in his novels Parizhachi and Voskhischenie. Attention is paid to chronotope, theatricality, carnivalization, fragmentation and metamorphosis of characters, as well as to the sound organization of the texts. The article identifies the peculiarities of "zaum" in connection with the infantilization of the characters' speech, as well as the general typological features and characteristics of avant-garde discourse inherent in these two novels.