Construction of a Chinese traditional instrumental music dataset: A validated set of naturalistic affective music excerpts

被引:2
作者
Wu, Di [1 ,2 ,3 ]
Jia, Xi [1 ,2 ,3 ]
Rao, Wenxin [1 ,2 ]
Dou, Wenjie [1 ,2 ,3 ]
Li, Yangping [1 ,2 ,4 ]
Li, Baoming [1 ,2 ,3 ]
机构
[1] Hangzhou Normal Univ, Inst Brain Sci, Sch Basic Med Sci, Hangzhou 311121, Peoples R China
[2] Hangzhou Normal Univ, Sch Basic Med Sci, Dept Physiol, Hangzhou 311121, Peoples R China
[3] Hangzhou Normal Univ, Zhejiang Philosophy & Social Sci Lab Res Early De, Hangzhou 311121, Peoples R China
[4] Xi An Jiao Tong Univ, Sch Foreign Studies, Xian 710049, Peoples R China
基金
中国国家自然科学基金;
关键词
Chinese traditional instrumental music; Dataset; Dimensional emotion; Discrete emotion; DIMENSIONAL MODELS; BIOLOGICAL IMPACT; AFFECTIVE NORMS; CORE AFFECT; EMOTION; DISCRETE; FAMILIARITY; PERCEPTION; EXPERIENCE; RESPONSES;
D O I
10.3758/s13428-024-02411-6
中图分类号
B841 [心理学研究方法];
学科分类号
040201 ;
摘要
Music is omnipresent among human cultures and moves us both physically and emotionally. The perception of emotions in music is influenced by both psychophysical and cultural factors. Chinese traditional instrumental music differs significantly from Western music in cultural origin and music elements. However, previous studies on music emotion perception are based almost exclusively on Western music. Therefore, the construction of a dataset of Chinese traditional instrumental music is important for exploring the perception of music emotions in the context of Chinese culture. The present dataset included 273 10-second naturalistic music excerpts. We provided rating data for each excerpt on ten variables: familiarity, dimensional emotions (valence and arousal), and discrete emotions (anger, gentleness, happiness, peacefulness, sadness, solemnness, and transcendence). The excerpts were rated by a total of 168 participants on a seven-point Likert scale for the ten variables. Three labels for the excerpts were obtained: familiarity, discrete emotion, and cluster. Our dataset demonstrates good reliability, and we believe it could contribute to cross-cultural studies on emotional responses to music.
引用
收藏
页码:3757 / 3778
页数:22
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