The Trinity, by Albrecht Duerer (engraving, 1511)

被引：0

作者：

Boespflug, Francois ^{[1
,2
,3
]}

机构：

[1] Marc Bloch Univ, Catholic Fac Theol, Religious Hist, Strasbourg, France

[2] Ctr Sevres, Paris, France

[3] CNRS, Inst Res & Hist Texts, Paris, France

来源：

MOREANA | 2007年 / 44卷 / 1-2期

关键词：

band-to-hand fight; trinity; Eucharist; Christian temporalities;

D O I：

暂无

中图分类号：

I [文学]; K [历史、地理];

学科分类号：

05 ; 06 ;

摘要：

In 1511 Durer painted the Landauer Altarpiece and several series of engravings. One of the most original of these. The Trinity, had a wide European influence in many different art-forms. It portrays, without any representation of human life. God the Father receiving into his arms the crucified Christ taken down from the cross in an intimate and loving embrace on whose meaning, place and time it is worthwhile reflecting. They suppose a specific space-time configuration; that of a Christian God receptive to prayer to which the body of Christ introduces us.

引用

页码：178 / 200

页数：23