Of Shanghai and Chinese cosmopolitanism

被引:3
作者
Pan, Lynn
机构
关键词
Shanghai; cosmopolitanism; Chineseness; identity; bilingualism;
D O I
10.1080/14631360903189542
中图分类号
C95 [民族学、文化人类学];
学科分类号
0304 ; 030401 ;
摘要
Starting with the 2005 Chinese Heritage Centre exhibition 'Chinese More or Less' (for which I wrote the storyboard) - specifically with that part of the exhibition that profiles diasporic Chinese exemplars of different ways of combining cosmopolitanism with Chineseness - this paper attempts to respond to questions raised by Anthony Reid, viz: whether my moving from diaspora to Shanghai comes of 'Shanghai (re) joining the diasporic sense of Chinese modernity and post-modernity'; whether 'the diaspora no longer seems quite so distinctive once China is again an open and cosmopolitan place'; and whether I am still a 'Chinese Overseas' when I live in Shanghai.
引用
收藏
页码:217 / 224
页数:8
相关论文
共 9 条
[1]  
[Anonymous], 2000, GUARDIAN
[2]  
Cannell Michael T, 1995, M PEI MANDARIN MODER
[3]  
Larkin Philip, 1988, COLLECTED POEMS
[4]  
Pan Lynn, 2009, SHANGHAI STYLE ART D
[5]  
Pei I.M., 1997, HARVARD ASIA PACIFIC
[6]  
Pei I.M., 1997, 1 PERSON SINGULAR MU
[7]  
Wasserstrom JN, 2009, ASIAS TRANSFORM, P1
[8]  
Zao Wou-Ki, 1988, AUTOPORTRAIT
[9]  
Zhou Z. R., 1927, TAN LONG JI