Appropriating Otherness. Afro-Caribbean Music in the State of Quintana Roo, Mexico

被引:0
|
作者
Cunin, Elisabeth [1 ,2 ,3 ]
机构
[1] Univ Nice Sophia Antipolis, Unite Rech Migrat & Soc URMIS, IRD, Nice, France
[2] CIESAS, Merida, Venezuela
[3] Univ Quintana Roo, Chetmal, Mexico
来源
CAHIERS D ETUDES AFRICAINES | 2014年 / 216期
关键词
Mexico; Belize; Ethnicity; Border; Afro-Caribbean Music;
D O I
10.4000/etudesafricaines.17878
中图分类号
Q98 [人类学];
学科分类号
030303 ;
摘要
Hierba Santa, Santa Chan Roots, Korto Circuito, Roots and Wisdom, 16 Squadron: these are some of the many groups of Afro-Caribbean music in the state of Quintana Roo, in the southeast of Mexico, on the border with Belize. While the region is traditionally associated with a dominant Maya culture or with the first mestizaje in Mexico, I will study the emergence and disappearance of Afro-Caribbean music throughout the 20th century in order to better understand socio-historical mechanisms of inclusion, transformation and elimination of otherness. Focusing the research on the local music scene (musicians, public, organization, etc.), I will analyze the meaning of a "black music without Blacks" and its consequences on the definition of Mexican mestizaje.
引用
收藏
页码:889 / 912
页数:24
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