SOCIAL ROLES OF CONTEMPORARY SOCIETY IN THE FILM 'MULTIPLICITY' OF HAROLD RAMIS

被引：0

作者：

Fernandez Cobo, Raquel ^{[1
]}

机构：

[1] Univ Almeria, FPI, Dept Didact Lengua & Literatura, Almeria, Spain

来源：

APOSTA-REVISTA DE CIENCIAS SOCIALES | 2015年 / 67卷

关键词：

Cinema; social roles; identity; humor; double;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Multiplicity (2010), directed by Harold Ramis, recreates on screen through reason than double the elements of the crisis of the subject and represent the individual under the sign of dissipation. Through a thematic and discourse analysis of double motive examined how the protagonist, attempting to carry out all social roles, is doomed to the most acute contradictions in society, manifested especially at the body, both in the manifest symbolism the reason for the double as the "biological terror" as absolutely ironic and humorous shown in the last clone of the protagonist.

引用

页码：142 / 166

页数：25