CHARLIE HEBDO, SECULARIZATION AND ESCHATOLOGY

This study aims to address the aspects related to the practice and spirit of Charlie Hebdo on the occasion of the murder of some of their members. To achieve this purpose, we consider beforehand modernity as an appropriation of the Christian eschatological pattern in a secularized form, as appointed by Lowith, indicating specificity to the ideas of "end of history" and "end of art" in Hegel. The specific objectives include presenting the journal, defining the characteristics and consequences of the attack, determining the most significant aspects indicated by the committee on secularism, analyzing Islamic extremism and its biases, and checking the specific method of Charlie Hebdo to combat extremism. The practice of secularization in France today would justify and defend the positions taken in Charlie Hebdo. Modern eschatology, present in the ideas of "end of art" and "end of history', allows us to delve into the issue. We can not speak of an end without considering a start, for there are survival and death. With artists exposing their opinion and, even though they are at risk, paying with their lives, we have a proximity to the concept of humor, as the destruction of art by itself.