As opposed to the myth of romantic love, new imaginary emerge around the couple, less idyllic, but not more negative, registered in other logics. The traditional model of conquest, seduction, is replaced by doubt on the model, the testing of the other and of oneself and the questioning of the idea of eternal love. The couple appears as a question rather than a stable structure, exploratory space rather than realization space. Instability, fear of compromising and even of love result in intermittent loves, " liquid love ", extreme love. From sixty very recent films, we analyze the evolution of the concept of couple and new experiences that raises, within a structure marked by conflict and passionate tension.
