Beckettian sounds: reflections on speech and voice in the Samuel Beckett's theatre

This study presents evidences of an approach of a vocal preparation to for the Beckettian theatre from reflections on the Samuel Beckett's conception about the voice and the word on the scene, which can be seen from various records of his experience as a director when driving his own work. In the context of a type of precise and accurate theater, which requires a lot of the performers, it is evident the importance of them on their achievement and mastery of their technique, especially when it comes to vocal performance.