The mechanisms of power. Burn

被引：0

作者：

Liberati, Pietro

机构：

来源：

ZIBALDONE-ESTUDIOS ITALIANOS DE LA TORRE DEL VIRREY | 2016年 / 4卷 / 02期

关键词：

Colonialism; Marlon Brando; Evaristo Marquez; representation; United Artists;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The genesis of Queimada, 1968 movements' suggestions and a partial Pontecorvo's disappointment with some unfulfilled preconditions. The necessity to conjugate the storytelling in past in order to speak about the present days. A new glance on colonialism. The comparison between the characters of William Walker and Jose Dolores, and also between their performers: Marlon Brando's academic background and Evaristo Marquez instinctual naturalism. About representation and mise-en-scene, metaphorized by the double dichotomy Walker/Dolores and Brando/Marquez. Distribution issues with United Artists. A controversial critical reception and a belated reassessment.

引用

页码：56 / 66

页数：11