SPANISH TRANSITION TO DEMOCRACY, A MYTH CREATED BY AND FOR TELEVISION?

被引:2
|
作者
Bremard, Benedicte [1 ]
机构
[1] Univ Bourgogne, F-21004 Dijon, France
来源
AREA ABIERTA | 2015年 / 15卷 / 03期
关键词
Spanish transition to democracy; television; myth; memory; series; biopics; Cuentame como paso; 23-F; Audiencia abierta; Operacion Palace;
D O I
10.5209/rev_ARAB.2015.v15.n3.48641
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
This article deals with the representations of Spanish transition to democracy shown by television in Spain from 1995 to nowadays. Without claiming to be exhaustive, it analyses the recycling as well as the re-creating of scenes and figures which already belong to History although they are still present in collective memory. The analysis of a few fictional and informative programmes will enable us to sketch out a cartography of the representations of the transition on television. We will see how they get organized around TV formats and genres (series and mini-series, biopics and political thrillers), how they are related to other previous programmes or, on the contrary, how they attempt to deconstruct the television myth of the transition built up with its innumerable television representations. We will also wonder to which extent such a myth, drawn up from the amazing archives collection of TV pictures of the transition, comes to hide historical reality rather than disclose it. All these mechanisms are far from concerning only the small screen and its specific schedule and modes of production, creation and broadcasting. They enable us to perceive the persistence of conflicting memories, of taboo subjects and the lack of a consensual, dispassionate collective imagination over this period, more than 40 years after the beginning of this process. The pictures from (or about) the past, if they do not bring great revelations to us about the past, turn out to be meaningful about the present and its complicated relationship with recent History.
引用
收藏
页码:85 / 97
页数:13
相关论文
共 50 条
  • [21] Bear hug. Social movements and political violence in the Basque Country during the Spanish transition to democracy
    Romo, Raul Lopez
    CUADERNOS DE HISTORIA CONTEMPORANEA, 2025, 47 : 231 - 253
  • [22] Broadcasting of violence on Spanish television:: A quantitative panorama
    Fernández-Villanueva, C
    Domínguez-Bilbao, R
    Revilla-Castro, JC
    Anagnostou, A
    AGGRESSIVE BEHAVIOR, 2006, 32 (02) : 137 - 145
  • [23] Representations of female sexuality in Spanish television fiction
    Lacalle, Charo
    Castro, Deborah
    CONVERGENCIA-REVISTA DE CIENCIAS SOCIALES, 2017, (75): : 45 - 64
  • [24] The representation of women in the family in Spanish television fiction
    Lacalle, Charo
    Gomez, Beatriz
    COMMUNICATION & SOCIETY-SPAIN, 2016, 29 (03): : 1 - 14
  • [25] Evolution of family representations in Spanish fiction television
    Lacalle, Charo
    Hidalgo-Mari, Tatiana
    REVISTA LATINA DE COMUNICACION SOCIAL, 2016, 71 (05): : 470 - 483
  • [26] Spanish television industry: crisis and new opportunities
    Perez Rufi, Jose Patricio
    Navarrete Cardero, Jose Luis
    Gomez Perez, Francisco Javier
    ANALISI-QUADERNS DE COMUNICACIO I CULTURA, 2013, (49): : 1 - 14
  • [27] The beginnings of morphing and SMS in Spanish television advertising
    Tur-Vines, Victoria
    Segarra-Saavedra, Jesus
    HISTORIA Y COMUNICACION SOCIAL, 2013, 18 : 555 - 570
  • [28] The persistence of myth: Brazil’s undead ‘racial democracy’
    Sharon Stanley
    Contemporary Political Theory, 2021, 20 : 749 - 770
  • [29] The myth of immortality in current Spanish science fiction
    Fernandez Urtasun, Rosa
    JOURNAL OF IBERIAN AND LATIN AMERICAN RESEARCH, 2018, 24 (02) : 138 - 153
  • [30] The myth of "shanzhai" culture and the paradox of digital democracy in China
    Zhang, Lin
    Fung, Anthony
    INTER-ASIA CULTURAL STUDIES, 2013, 14 (03) : 401 - 416