FRENCH STYLE AND THE OVERTURES OF BACH + BACH,JS']JS .1.

[21] LOULIE E, 1696, ELEMENTS PRINCIPES M, P32

[22] MASSON C, 1705, NOUVEAU TRAITE REGLE, P7

[23] MONTECLAIR MPD, 1736, PRINCIPES MUSIQUE, P117

[24] Muffat G., 1695, FLORILEGIUM PRIMUM, DOI Augsburg

[25] NEUMANN F, 1979, EARLY MUSIC, V7, P39

[26] NEUMANN F, 1965, REV MUSICOL, V51, P66

[27] PAJOT LL, 1735, HISTOIRE ACADEMIE RO, V1782, P182

[28] Quantz Johann Joachim, 1752, VERSUCH ANWEISUNG FL

[29] SAINTLAMBERT MD, 1702, PRINCIPES CLAVECIN, P18

[30] SCHULZ JAP, 1774, ALLGEMEINE THEORIE S, P874

[21] LOULIE E, 1696, ELEMENTS PRINCIPES M, P32

[22] MASSON C, 1705, NOUVEAU TRAITE REGLE, P7

[23] MONTECLAIR MPD, 1736, PRINCIPES MUSIQUE, P117

[24] Muffat G., 1695, FLORILEGIUM PRIMUM, DOI Augsburg

[25] NEUMANN F, 1979, EARLY MUSIC, V7, P39

[26] NEUMANN F, 1965, REV MUSICOL, V51, P66

[27] PAJOT LL, 1735, HISTOIRE ACADEMIE RO, V1782, P182

[28] Quantz Johann Joachim, 1752, VERSUCH ANWEISUNG FL

[29] SAINTLAMBERT MD, 1702, PRINCIPES CLAVECIN, P18

[30] SCHULZ JAP, 1774, ALLGEMEINE THEORIE S, P874