ON THE GERMINATION OF THE UNCANNY: BEAUTY IN A BROKEN MIRROR

被引:0
作者
Avila Rodriguez, Adela [1 ]
机构
[1] Univ Pedag & Tecnol Colombia, Tunja, Colombia
来源
PALABRA-ESCUELA DE IDIOMAS-MAESTRIA EN LITERATURA | 2014年 / 24期
关键词
Abjection; cruelty; Elfriede Jelinek; writing; reading; desire; creation; woman;
D O I
暂无
中图分类号
I [文学];
学科分类号
05 ;
摘要
The present article seeks to track the writing of abjection and cruelty in the Elfriede Jelinek's work, at the same time as it searches for the roots that this reading leaves in the author's own creative writing process. Writing from abjection becomes a constant beat, a drive of life that sometimes is camouflaged with death. The reading of texts marked by the uncanny creates a braid inside oneself, forming a dance of agonic discourse that brings with it a critique, a feeling, a breath, and a desire for creation amidst ashes of flesh, letters and ink.
引用
收藏
页码:99 / 109
页数:11
相关论文
共 5 条
[1]  
Cixous H., 1995, RISA MEDUSA
[2]  
Jelinek E., 1986, LA PIANISTA
[3]  
Kristeva J., 2006, PODERES PERVERSION
[4]  
Lukacs Georg, 2010, TEORIA DE LA NOVELA
[5]  
Ovejero Jose, 2012, ETICA CRUELDAD