Death around the corner: Tupac Shakur as afroamerican icon between hip-hop and cinema.

被引:0
作者
Bandirali, Luca
机构
来源
H-ERMES-JOURNAL OF COMMUNICATION | 2015年 / 4卷
关键词
Tupac Shakur; hip hop; icona; afroamericano; cinema; heroes journey; monomyth;
D O I
10.1285/i22840753n4p131
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
The way an artist turns into an icon in the popular music system is allowed by the deep narrative structures detectable in the artist's biography. The case of Tupac Shakur (1971-1996) as an icon of the afroamerican hip hop subculture of the 90's exemplifies the process at issue because his biography can be compared to a mitography, as to say that it concides with the archetypal structure of the mono-myth. These structures are strictly connected with the artist's work as musician, which is often a sort of autobiographical storytelling. Beyond both artistic and biographical profiles of Tupac Shakur there's a third iconic level: his acting career, which overlaps both life and music, introducing a series of symbolic relations and building a picture of himself. This picture is the main support to the cult icon Tupac Shakur has become.
引用
收藏
页码:131 / 151
页数:21
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