FROM ETHNOGRAPHY TO POETICS, CRITICISM OF AFRICAN ORAL LITERATURES

[1] AMOS DB, 1974, POETIQUE, V19, P265

[2] AMOS DB, 1973, RES AFR LITERATURES, V6, P165

[3] Austin J. L., 1970, QUAND DIRE CEST FAIR

[4] Barber K., 1989, DISCOURSE ITS DISGUI

[5] BARBER K, 1992, I COULD SPEAK TOMORR

[6] FOLKLORE AND AFRICANIST [J]. JOURNAL OF AMERICAN FOLKLORE, 1973, 86 (341) : 253 - 259

[7] THE FORMS OF FOLKLORE - PROSE NARRATIVES [J]. JOURNAL OF AMERICAN FOLKLORE, 1965, 78 (307) : 3 - 20

[8] BAUMAN R, 1986, STORY PERFORMANCE CO

[9] BIEBUYCK D, 1970, ANTHOLOGIE LIT ORALE

[10] Biebuyck Daniel, 1969, MWINDO EPIC BANYANGA

[1] AMOS DB, 1974, POETIQUE, V19, P265

[2] AMOS DB, 1973, RES AFR LITERATURES, V6, P165

[3] Austin J. L., 1970, QUAND DIRE CEST FAIR

[4] Barber K., 1989, DISCOURSE ITS DISGUI

[5] BARBER K, 1992, I COULD SPEAK TOMORR

[6] FOLKLORE AND AFRICANIST [J]. JOURNAL OF AMERICAN FOLKLORE, 1973, 86 (341) : 253 - 259

[7] THE FORMS OF FOLKLORE - PROSE NARRATIVES [J]. JOURNAL OF AMERICAN FOLKLORE, 1965, 78 (307) : 3 - 20

[8] BAUMAN R, 1986, STORY PERFORMANCE CO

[9] BIEBUYCK D, 1970, ANTHOLOGIE LIT ORALE

[10] Biebuyck Daniel, 1969, MWINDO EPIC BANYANGA