Research in the process of artistic creation: an approach from the Dance

The goal that sets a change in the way we look over nature and its relations with the world, where the human being is included as a part that interacts in it, as a being that feels and recreates from its knowledge setting, idea and actions; demands a renovated epistemological positioning. This self-re-think "again" from this cosmovision, has shaken scientific knowledge and the paradigms that lead research processes and creation in the art. Settles the investigation notion and its relative question at its range in front of an argument that gains more power in science, academic and arts. With the intention of trouble about the different sides of research procedure, particularly artistic in the dancing arts is developed in this article.