BEGINNINGS OF COMIC BOOKS AND GRAPHIC NOVELS: A SEQUENCE IN SEQUENTIAL ART

被引:0
作者
Marginas, Raluca
机构
来源
EKPHRASIS-IMAGES CINEMA THEORY MEDIA | 2010年 / 3卷 / 01期
关键词
Imaginary studies; comics; graphic novels;
D O I
暂无
中图分类号
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号
摘要
This paper is an introductory study in the imaginary of graphic novels and their role in the evolution of contemporary popular culture. On the other hand, this is not only a history of comic strips and their yellow journalism resources, but it provides an understanding of the social impact of these very specific forms of visual expression. The discussion of the impact the "fantasy-and-phantasms-producing machine" of the comics had on the public imaginary moves from the "codes" of the comic books to the fundamental idea of "auterism". From an applied interpretation on comic strips, done in correlation with the "auteur theory", comes a description of the roots of the "comics environment".
引用
收藏
页码:104 / 109
页数:6
相关论文
共 7 条
  • [1] [Anonymous], 2010, COMICS MAGAZINE 0614
  • [2] Buhle Paul, 2006, CAMBRIDGE COMPANION
  • [3] Eisner W., 2008, COMICS SEQUENTIAL AR
  • [4] Fingeroth Danny, 2008, ROUGH GUIDE GRAPHIC
  • [5] Moore Alan, 1997, BATMAN DARK KNIGHT R
  • [6] WITHROW S, 2007, CHARACTER DESIGN GRA
  • [7] Wolk Douglas, 2007, READING COMICS GRAPH