FREE INDIRECT EFFECT OF THE CINEMA

被引：0

作者：

Rodin, K. A. ^{[1
]}

机构：

[1] Tomsk State Univ, Fac Philosophy, Tomsk, Russia

来源：

VESTNIK TOMSKOGO GOSUDARSTVENNOGO UNIVERSITETA-FILOSOFIYA-SOTSIOLOGIYA-POLITOLOGIYA-TOMSK STATE UNIVERSITY JOURNAL OF PHILOSOPHY SOCIOLOGY AND POLITICAL SCIENCE | 2011年 / 16卷 / 04期

关键词：

free indirect discourse; free indirect effect; cinema;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Free indirect discourse (FID) or seemingly indirect style, one of the most problematic category in the contemporary science of language, is considered as the deep shape-generating source of the cinema emotional and dramatic impact. Because of that free indirect discourse as a linguistic category is interpreted as a free indirect effect concerning study of the film art. In the first place the article deals with three conception of FID which belong to M. Bakhtin, P. Pasolini and G. Deleuze, respectively. Much of the research output links with the problem of cultural self-reflectiveness in connection with FID (explained by an example of M. Bakhtin and P. Pasolini) as well as with illustrate how free indirect effect form an author individual style (explained by an example of L. von Trier).

引用

页码：116 / +

页数：9