An office of the twentieth century: Guillermo Cabrera Infante in his film maze

This paper explores the relationships between literature and cinema in the work of Guillermo Cabrera Infante. So there are two interrelated themes. In the first is suggests the reading of a trade of the century XX, a book usually understood as a set of critical film, as a gender hybrid, close to the trial and to the autobiography. The Paratext and footnotes of page of the author are critical. The second part is a review of the three scripts that Cabrera Infante wrote for film starting from the notion of text film.