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- [2] On the trail of "Trio no 1" by Villa-Lobos REVISTA VORTEX-VORTEX MUSIC JOURNAL, 2023, 11 (02): : 29 - 31
- [4] Historical research and cinema: the creation of Villa-Lobos ARTCULTURA-REVISTA DE HISTORIA CULTURA E ARTE, 2016, 18 (33): : 99 - 110
- [5] Villa-Lobos before Paris, or: how delicious my French was ARTCULTURA-REVISTA DE HISTORIA CULTURA E ARTE, 2023, 25 (46): : 138 - 156
- [6] Trio (1921) for oboe, clarinet and bassoon, by Heitor Villa-Lobos: An interpretative approach OPUS, 2010, 16 (01): : 70 - 98
- [7] Functions of the Piano as an Orchestra Instrument - A pianistic-functional perspective on Villa-Lobos' Uirapuru REVISTA VORTEX-VORTEX MUSIC JOURNAL, 2019, 7 (01):
- [8] A brazilian musician in New York: Pan-Americanism in the work of Heitor Villa-Lobos (1939-1945) REVISTA ESTUDOS POLITICOS, 2016, 6 (02): : 486 - 506
- [9] String Quartet n° 02 by Villa-Lobos: a dialogue with the cyclic form of Franck, Debussy and Ravel MUSICA HODIE, 2012, 12 (01): : 25 - 43
- [10] Honegger's Pacific 231 and Villa-Lobos's Tocata Trenzinho do Caipira: a case of intertextuality OPUS, 2013, 19 (02): : 41 - 58