MODELS OF OCTATONIC AND WHOLE-TONE INTERACTION + AN ANALYSIS OF THE MUSICAL STRUCTURE OF 'MUSIC OF SHADOWS (FOR AEOLIAN HARP)' WITH EMPHASIS ON THE WORKS OF DEBUSSY, SCRIABIN, STRAVINSKY AND FINNEY - CRUMB,GEORGE AND HIS PREDECESSORS

被引：7

作者：

BASS, R

机构：

来源：

JOURNAL OF MUSIC THEORY | 1994年 / 38卷 / 02期

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D O I：

10.2307/843771

中图分类号：

J6 [音乐];

学科分类号：

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页码：155 / 186

页数：32

相关论文

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