MODELS OF OCTATONIC AND WHOLE-TONE INTERACTION + AN ANALYSIS OF THE MUSICAL STRUCTURE OF 'MUSIC OF SHADOWS (FOR AEOLIAN HARP)' WITH EMPHASIS ON THE WORKS OF DEBUSSY, SCRIABIN, STRAVINSKY AND FINNEY - CRUMB,GEORGE AND HIS PREDECESSORS

被引:7
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BASS, R
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10.2307/843771
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J6 [音乐];
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页码:155 / 186
页数:32
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