EMPATHY AND THE ETHICS OF ENTITLEMENT

[1] ARCHER W., 1957, MASKS FACES

[2] Bakhtin Mikhail, 1981, DIALOGIC IMAGINATION, P84

[3] BARTH J, 1984, FRIDAY BOOK

[4] Ben Chaim D, 1984, DISTANCE THEATRE AES

[5] IDEOLOGY AND PERFORMANCE + THEATER [J]. THEATRE JOURNAL, 1983, 35 (04) : 441 - 460

[6] Booth Wayne C, 1979, CRITICAL UNDERSTANDI

[7] BOOTH WC, 1984, INTRO PROBLEMS DOSTO, pR21

[8] Braden G., 1985, RENAISSANCE TRAGEDY

[9] 'PSYCHICAL DISTANCE' AS A FACTOR IN ART AND AN AESTHETIC PRINCIPLE [J]. BRITISH JOURNAL OF PSYCHOLOGY, 1912, 5 : 87 - 118

[10] CHANDLER M, 1977, KNOWLEDGE DEV, P93

[1] ARCHER W., 1957, MASKS FACES

[2] Bakhtin Mikhail, 1981, DIALOGIC IMAGINATION, P84

[3] BARTH J, 1984, FRIDAY BOOK

[4] Ben Chaim D, 1984, DISTANCE THEATRE AES

[5] IDEOLOGY AND PERFORMANCE + THEATER [J]. THEATRE JOURNAL, 1983, 35 (04) : 441 - 460

[6] Booth Wayne C, 1979, CRITICAL UNDERSTANDI

[7] BOOTH WC, 1984, INTRO PROBLEMS DOSTO, pR21

[8] Braden G., 1985, RENAISSANCE TRAGEDY

[9] 'PSYCHICAL DISTANCE' AS A FACTOR IN ART AND AN AESTHETIC PRINCIPLE [J]. BRITISH JOURNAL OF PSYCHOLOGY, 1912, 5 : 87 - 118

[10] CHANDLER M, 1977, KNOWLEDGE DEV, P93