Islamic Popular Music in Turkey within the Context of Religion, Music and Identity

被引:1
作者
Yenen, Ibrahim [1 ]
机构
[1] Univ Karabuk, Karabuk, Turkey
来源
TARIH KULTUR VE SANAT ARASTIRMALARI DERGISI-JOURNAL OF HISTORY CULTURE AND ART RESEARCH | 2016年 / 5卷 / 02期
关键词
Religion; Music; Identity; Islamic Popular Music;
D O I
10.7596/taksad.v5i2.517
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
This article, by examining the culture of Islamic Popular Music in Turkey, examines the role of this culture in forming and expressing of Islamic identity. The aim of this article is to point out how Islamic identity is expressed and transferred by means of popular music and what kind of changes this identity formed by means of Islamic music has experienced from 1990s to 2000s. This study has made analysis in the light of the following hypothesis "Islamic Popular Music is one of the important cultural components in comprehending the Islamic understanding of the period."The samples of the style of Islamic Popular Music between 1990-2000 were named as "Islamic Protest Music". The most significant characteristic of Islamic Protest Music in 1990s is that the message contents rely on the distinction of "we and others". In 2000s, Islamic Popular Music has turned into Islamic popular music which is away from giving a message through its melody, rhytm and instruments but carries commercial worries in accordance with the concerns of music industry.
引用
收藏
页码:1 / 25
页数:25
相关论文
共 50 条
[21]   Mapping Synecdoche: The Place of Place in Cuban Popular Music [J].
Astley, Thomas .
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA, 2016, 37 (01) :65-90
[22]   Prison and the Law in Modern American and British Popular Music [J].
Philip Emanuel Rodney .
International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique, 2021, 34 :211-236
[23]   Prison and the Law in Modern American and British Popular Music [J].
Rodney, Philip Emanuel .
INTERNATIONAL JOURNAL FOR THE SEMIOTICS OF LAW-REVUE INTERNATIONALE DE SEMIOTIQUE JURIDIQUE, 2021, 34 (01) :211-236
[24]   Music Within Limits [J].
Seznec, Yann .
2022 INTERNATIONAL CONFERENCE ON ICT FOR SUSTAINABILITY (ICT4S 2022), 2022, :172-178
[25]   Popular music and political contestations in Zimbabwe: An analysis of Winky D's and Jah Prayzah's music [J].
Matsilele, Trust ;
Msimanga, Mbongeni Jonny ;
Tshuma, Lungile Augustine .
JOURNAL OF AFRICAN MEDIA STUDIES, 2023, 15 (03) :291-308
[26]   Melodies Across Time: Exploring Connections and Context in Eastern Black Sea Popular Music [J].
Altinbas, Gokhan ;
Karahasanoglu, Songul .
MUSICOLOGIST, 2024, 8 (01)
[27]   Ethnic and Cultural Identity in Music and Song Lyrics [J].
Skinner, Heather .
ARTS AND THE MARKET, 2018, 8 (01) :113-114
[28]   Classifying the Popular Music of Trinidad and Tobago [J].
Nero, Lorraine M. .
CATALOGING & CLASSIFICATION QUARTERLY, 2006, 42 (3-4) :119-133
[29]   Afrikaner identity and the music off Johannes Kerkorrel [J].
Laubscher, L .
SOUTH AFRICAN JOURNAL OF PSYCHOLOGY, 2005, 35 (02) :308-330
[30]   Constructing accounting in the mirror of popular music [J].
Jacobs, Kerry ;
Evans, Steve .
ACCOUNTING AUDITING & ACCOUNTABILITY JOURNAL, 2012, 25 (04) :673-702