Hearing place: Film music, geography and ethnicity

被引:4
作者
Brownrigg, Mark [1 ]
机构
[1] Univ Stirling, Film & Media, Stirling, Scotland
关键词
film music; place; race; ethnicity; Scottish cinema; Tibet; Philip Glass; John Williams; Martin Scorsese; Jean-Jacques Annaud; Kundun; Seven Years In Tibet;
D O I
10.1386/macp.3.3.307_1
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
Music is an important device that filmmakers use to create a sense of place. Different countries have different music cultures and film soundtracks move swiftly to accommodate and incorporate an approximation of them. Specific instruments can be used to provide local colour, standard instruments can be used in imitation of them, specific tunes associated with specific places can be invoked or shadowed as the musicological fundamentals of specific national musics are harnessed to produce appropriate original music. Distinctive rhythms and dance forms can be incorporated, and either genuine musicians or recordings of musicians from a particular country or culture can be used to give an immediate sense of people and place.
引用
收藏
页码:307 / 323
页数:17
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