THE COGNITIVE-PSYCHOLOGY OF MUSIC

被引:0
作者
DOWLING, WJ
机构
[1] DALLAS SYMPHONY CHOIR, DALLAS, TX USA
[2] DALLAS SYMPHONY ORCHESTRA, DALLAS, TX USA
来源
HUMANITIES ASSOCIATION REVIEW-REVUE DE L ASSOCIATION DES HUMANITES | 1979年 / 30卷 / 1-2期
关键词
D O I
暂无
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
引用
收藏
页码:58 / 68
页数:11
相关论文
共 25 条
[11]   SCALE AND CONTOUR - 2 COMPONENTS OF A THEORY OF MEMORY FOR MELODIES [J].
DOWLING, WJ .
PSYCHOLOGICAL REVIEW, 1978, 85 (04) :341-354
[12]   PERCEPTION OF MELODIES DISTORTED BY SPLITTING INTO SEVERAL OCTAVES - EFFECTS OF INCREASING PROXIMITY AND MELODIC CONTOUR [J].
DOWLING, WJ ;
HOLLOMBE, AW .
PERCEPTION & PSYCHOPHYSICS, 1977, 21 (01) :60-64
[13]   LISTENERS SUCCESSFUL SEARCH FOR MELODIES SCRAMBLED INTO SEVERAL OCTAVES [J].
DOWLING, WJ .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1978, 64 :S146-S146
[14]   RECOGNITION OF MELODIC TRANSFORMATIONS - INVERSION, RETROGRADE, AND RETROGRADE INVERSION [J].
DOWLING, WJ .
PERCEPTION & PSYCHOPHYSICS, 1972, 12 (05) :417-&
[15]   CONTOUR, INTERVAL, AND PITCH RECOGNITION IN MEMORY FOR MELODIES [J].
DOWLING, WJ ;
FUJITANI, DS .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1971, 49 (02) :524-&
[16]  
DOWLING WJ, 1973, HDB PERCEPTION, V1
[17]  
DOWLING WJ, CROSS CULTURAL PERSP
[18]  
FRANCES R, 1958, PERCEPTION MUSIQUE
[19]  
GILBERT WS, MIKADO
[20]  
HELMHOLTZ H, SENSATIONS TONE