MUSICAL NOTATION FOR THE KEYBOARD - AN EXAMINATION OF STIMULUS-RESPONSE COMPATIBILITY

被引:4
作者
BIEL, GA [1 ]
CARSWELL, CM [1 ]
机构
[1] UNIV KENTUCKY,LEXINGTON,KY 40506
关键词
D O I
10.1002/acp.2350070506
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
A recent stimulus-response compatibility model was used to provide a performance evaluation of an experimental notation for the keyboard in which pitch varies horizontally in visual space. One hundred and twenty subjects performed a choice reaction time task using either the horizontal notation or a more traditional vertical notation. Half the subjects in each notation group received white noise and half received pitch-varying feedback with responses. A horizontal display advantage was revealed when rules of the model were applied to data analyses. Further, the horizontal display advantage was not dependent on the nature of the feedback. In a second experiment, performance of musicians and non-musicians was compared using the horizontal and vertical notations. Musicians' performance was uniformly better than that of non-musicians, and did not differ with notation orientation. The findings support the use of non-traditional horizontal notations for novice performance on a keyboard instrument.
引用
收藏
页码:433 / 452
页数:20
相关论文
共 26 条
[11]  
Holding D. H., 1991, TRAINING PERFORMANCE, P93
[12]  
HOTTMAN SB, 1981, 25TH P ANN M HUM FAC
[13]  
Karkoschka E., 1972, NOTATION NEW MUSIC
[14]   DIMENSIONAL OVERLAP - COGNITIVE BASIS FOR STIMULUS-RESPONSE COMPATIBILITY - A MODEL AND TAXONOMY [J].
KORNBLUM, S ;
HASBROUCQ, T ;
OSMAN, A .
PSYCHOLOGICAL REVIEW, 1990, 97 (02) :253-270
[15]  
KYME GH, 1960, J RES MUSIC EDUC, P3
[16]  
LOVELESS NE, 1963, ERGONOMICS, V5, P357
[17]  
MELARA RD, 1987, J EXP PSYCHOL GEN, V116, P323
[19]  
MORRIN RE, 1955, J EXP PSYCHOL, V49, P39
[20]   SPATIAL STEREOTYPES OF 4 DIMENSIONS OF PURE-TONE [J].
MUDD, SA .
JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1963, 66 (04) :347-&