共 50 条
[31]
Existential anxiety, expectations of salvation and nostalgia for God in the cinematography of Ingmar Bergman
[J].
TEOLOGIA Y VIDA,
2019, 60 (03)
:395-420
[32]
The Dream in Ingmar Bergman's The Passion of Anna (1969) As a Reverse Journey of His Film Shame (1968)
[J].
AREA ABIERTA,
2021, 21 (03)
:405-418
[33]
God and death: Apocalypse in the seventh seal and in the serpents egg of Ingmar Bergman
[J].
EKPHRASIS-IMAGES CINEMA THEORY MEDIA,
2012, 8 (02)
:96-107
[36]
Alpheus and Arethusa in The Thirst (Torst, 1949), Ingmar Bergman's Film: an example of the relationship between art and mythology
[J].
IMAFRONTE-REVISTA DE HISTORIA DEL ARTE,
2008, (19-20)
:53-64
[37]
INGMAR BERGMAN PHILOSOPHER OF ANGUISH FILM ANALYSIS OF THE FACE, PERSON AND THE FACE OF KARIN
[J].
TORRE DEL VIRREY-REVISTA DE ESTUDIOS CULTURALES,
2020, (28)
:72-122
[39]
Screenwriting studies, screenwriting practice and the screenwriting manual
[J].
NEW WRITING-THE INTERNATIONAL JOURNAL FOR THE PRACTICE AND THEORY OF CREATIVE WRITING,
2016, 13 (01)
:59-70
[40]
Poor Theatre, Rich Theatre: Layers of Exchange in Two Adaptations of Ingmar Bergman and Paavo Haavikko
[J].
NORDIC THEATRE STUDIES,
2018, 30 (01)
:144-164