Via a combination of screenwriting theory and theories on literary manuscripts, this article approaches Ingmar Bergman's screenwriting as process, from notebooks to script drafts and finished screenplays. It particularly emphasizes the playful dimensions in the early stages of the screenwriting process and the way the writing negotiates fiction and reality.
机构:
Sveuciliste Zagrebu, Filozofski Fak, Ivana Lucica 3, HR-10000 Zagreb, CroatiaSveuciliste Zagrebu, Filozofski Fak, Ivana Lucica 3, HR-10000 Zagreb, Croatia
机构:
Ingmar Bergman Fdn, Stockholm, Sweden
Ingmar Bergman Arch, Stockholm, Sweden
Stockholm Univ, Inst Media Studies, Stockholm, SwedenIngmar Bergman Fdn, Stockholm, Sweden