The African Cosmogram Matrix in Contemporary Art and Culture

被引:4
作者
Gaskins, Nettrice R.
机构
[1] Boston, MA
关键词
Afrofuturism; black theology; cosmogram; funk; liminality; multimedia; performance;
D O I
10.1080/14769948.2015.1131502
中图分类号
B9 [宗教];
学科分类号
010107 ;
摘要
This article examines the ways in which scholars analyze and reconcile the symbols and the ideology of an ancient African (Kongo) symbol called a cosmogram. Ritualistic spaces that symbolically overlap with the Christian crucifix and Buddhist mandala, graphic imagery in the mapping, layering and cyclical rhythms of space and motion in visual art, as well as performance, sound and film all fall into this focus. For instance, this effort includes the mythology of P-Funk that include a group of recurring characters, themes and ideas related in a series of concept albums, primarily from George Clinton and his founded bands Parliament and Funkadelic. Contemporary artists and practitioners of Afrofuturism construct cosmic centers such as cosmograms that are mental maps of spiritual places and spaces that represent African Atlantic cultural improvisation and the wholeness of the Universe.
引用
收藏
页码:28 / 42
页数:15
相关论文
共 25 条
[11]  
Hicks Robert, TURN THIS MUTHA OUT
[12]  
Janzen John M., 1974, ANTHOLOGY KONGO RELI
[13]  
Johnson Robert, 1937, CROSS ROAD BULES
[14]  
Loewen JamesW., 2005, SUNDOWN TOWNS HIDDEN
[15]  
MacGaffey W., 1986, RELIG SOC CENTRAL AF
[16]  
Manovich Lev, 2006, VISUAL COMMUNICATION, P219
[17]  
Mintz Donna, REV BRIDES ANANSI FI
[18]  
Parliament, 1978, MOT BOOT AFF
[19]  
Parliament, 1978, DEEP
[20]  
Reynolds Mark, THING MAKES FUNK FUN