Playing Together: Analyzing Jazz Improvisation to Improve the Multiframe

被引:2
作者
Powers, Zach [1 ]
Grimm, Stephanie [2 ]
机构
[1] Telfair Museums, Savannah, GA 31401 USA
[2] Savannah Coll Art & Design, Jen Lib, Savannah, GA USA
来源
COMICS GRID-JOURNAL OF COMICS SCHOLARSHIP | 2016年 / 6卷
关键词
improvisation; jazz; multiframe; narrative; simultaneity;
D O I
10.16995/cg.76
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Musical terminology is often used when discussing narrative forms of art. However, this is seldom accompanied by a systematic application of musical concepts for use by artists in these other mediums. Comics, in particular, parallel music in terms of the multiframe, where various individual elements are perceived at once. Therefore, a useful analogy can be made between the multiframe and thematic and vertical musical construction. The interactivity among jazz musicians during a collective improvisation exemplifies this musical simultaneity, and this article creates an analogy between improvisation and narrative comics, deriving several analytical tools that can be used to inform the creation of more meaningful multiframes.
引用
收藏
页数:15
相关论文
共 18 条
  • [1] [Anonymous], 1958, JAZZ REV, V1, P6
  • [2] [Anonymous], 1958, JAZZ REV, V1, P6
  • [3] Berliner Paul F., 1994, THINKING JAZZ INFINI, DOI DOI 10.7208/CHICAGO/9780226044521.001.0001
  • [4] Cooke D., 2004, DC THE NEW FRONTIER, V1
  • [5] Derrida Jacques., 1994, GRAMMATOLOGY
  • [6] Dewey J., 2005, ART EXPERIENCE, DOI DOI 10.1080/10286632.2022.2064459
  • [7] Haake K., 2000, WHAT OUR SPEECH DISR
  • [8] Hagberg G, 2000, J AESTHET ART CRITIC, V58, P95
  • [9] KYNASTON T, 1998, MUSIC J REDMAN
  • [10] LEWIS M, 1985, HIGH THE MOON