Martin Heidegger on The Wild Strawberries Corner (Smultronstallet, Ingmar Bergman, 1957): audiovisual narratives for showing the temporality

Our paper tries to explore the possible cinematographical translation of the heideggerean concept temporality Zeitlichkeit), using the movie Wild Strawberries (Smultronstallet, Ingmar Bergman, 1957). We will propose in the first place a brief approximation of the aesthetical problems developed by Heidegger in their concrete cinematographical application. After that, we will study some of the several audiovisual resources developed by Bergman to show the temporality since three different narrative perspectives: the presentation of the main character, the symbolic writing of elements connected with time and his experience and finally, the ethical problematic connected with the encounter with others.