THE CANTARES DE RAMON DE CAMPOAMOR IN THE FLAMENCO REPERTOIRE

被引：0
作者：
Plaza Orellana, Antonio [1 ]
机构：
[1] IES Julio Verne, Seville, Spain
来源：
REVISTA DE INVESTIGACION SOBRE FLAMENCO-LA MADRUGA | 2018年 / 15期
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D O I：
暂无
中图分类号：
J6 [音乐];
学科分类号：
摘要：
The work deals with the repercussion in the flamenco song of the Cantares by Ramon de Campoamor. The poet, totally oblivious to the flamenco atmosphere that emerged in that period, maintains an ideology and a personal philosophy that will have great reach in popular music. His natural and sententious language, very akin to flamenco aesthetics, will facilitate the popularization of his songs that will appear in the books of anonymous popular songs; some of them of Flamenco exclusive. Through the study of his "cantares" (songs) we will analyze some of the mechanisms of popularization of the song, its basic patterns and the elements that model the cultured language towards the popular.
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页码：57 / 90
页数：34
相关论文
共 30 条
  • [1] ANONIMO, 1932, MEJORES CANTARES ESP
  • [2] ANONIMO, 1890, NUEVA COLECCION CANT
  • [3] BALTANAS Enrique, 2005, A MACHADO ALVAREZ DE
  • [4] CABA LANDA Carlos y Pedro, 1933, ANDALUCIA COMUNSIMO
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  • [7] CAMPOAMOR Ramon de, 1890, POETICA POLEMICAS LI
  • [8] CAMPOAMOR Ramon de, 1880, DOLORAS Y CANTARES
  • [9] CASTRO GARCIA Maria Isabel de, 1987, POESIA CANTARES SEGU
  • [10] COSSIO Jose Maria de, 1960, CINCUENTA ANOS POESI
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